The venues used for some of the Leeds Film Festival’s screenings this year were just about as memorable as the films themselves. For those of you who didn’t make it along (tomorrow is the final day), here are some photos of the grand Baroque-stylings of Leeds Town Hall, described by Architecture Today as “the epitome of northern civic bombast” —and, slightly further out of town, the hidden gem that is the Hyde Park Picture House, built in 1908 as a hotel, converted to a cinema in 1914, and saved from closure by Leeds City Council who have lovingly maintained it since 1989. It’s Grade II listed, lit by gas, and still has a piano and organ. What more could you ask for? Ultra-comfy seats, a bar and a balcony? Well, you’re in luck because it has those too.
Oh! The films we went to see? Jean-Pierre Melville’s muted and entrancing classic “policier“, Le Cercle Rouge, which has one of the best casts of any
French crime movie you care to name (Alain Deloin AND Yves Montand!) and one of the most masterful jewel heist scenes since Rififi. The second film was also understated but was perhaps more inconsequential than existential. A low-budget Romanian drama from 2001, Marfa si banii (Stuff and Dough —as in, goods and money) was directed by Cristi Puiu, who you might know better for The Death of Mr Lazarescu (2005). Combining elements of road-movie, chase-movie, and social realist critique, three twenty-somethings take a trip to Bucharest with what a family ‘friend’ has told them is “medicine”, hoping the promised $2,000 might get them quickly and easily out of aimless and difficult lifestyles. Of course, it’s not so straightforward. Both films remind us in very different ways that a life of crime can be more trouble than it’s worth. Melville suggests that nonetheless, it can be done carefully, with honour, and with style. The thief can be a hero of sorts or at least, a gentleman— even if he is ultimately doomed. For Puiu’s less well-heeled protagonists, there is only naiveté, disagreement and exploitation. All of which makes for very good cinema!
Today I gave a guest lecture through at Liverpool John Moores University on ‘Citizen Journalism’ – an extremely fascinating and more or less recent phenomenon that can be linked to the rise of mobile/digital technologies, the internet, and multimedia content, as well as to disillusionment with, or disengagement from the ‘traditional’ press. Even if you’re not familiar with theories or debates around Citizen Journalism, you’ve doubtless seen countless examples of it in practise already; including the most mainstream news broadcasters and online publishers. Citizen Journalism is, in essence, unprofessional journalism, conducted by ‘ordinary’ members of the public. Naturally there is a lot to debate about what the potentials of Citizen Journalism are, how it contrasts with or complements professional journalism, and how it might develop in future. What insights can we gain if we analyse it in terms of style, content, politics, economics? I’m making my slides available here so please feel free to download them and let me know what your own views are. The embedded version below might have a few formatting glitches – apologies! Click the options button for notes.
Many thanks to Dr Iqbal Akthar and his lovely students for their input and enthusiasm, and for making me feel extremely welcome. Despite the cold and the rain, it was really nice to be in Liverpool again. 🙂